L'essayeuse : pièce en un acte by Pierre Veber

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By Gary Greco Posted on Jan 2, 2026
In Category - Performing Arts
Veber, Pierre, 1869-1942 Veber, Pierre, 1869-1942
French
Ever wondered what happens when a play gets a test audience before it hits the stage? Pierre Veber's 'L'essayeuse' (The Female Tester) takes that simple idea and turns it into a hilarious and surprisingly sharp one-act comedy. It's 1901, and a playwright has hired a woman to sit through his new work and give her honest opinion. What could possibly go wrong? This little gem is a quick, witty peek behind the curtain of theater, full of ego, anxiety, and the absolute terror of getting real feedback. If you love stories about art, pride, and the messy process of creation, you'll get a real kick out of this.
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I stumbled upon this little French play from 1901, and it was such a delightful surprise. It’s short, clever, and feels incredibly modern in its setup.

The Story

A nervous playwright has a big problem: he’s not sure if his new comedy is actually funny. So, he comes up with a plan. He hires a woman, the 'essayeuse' of the title, to be a one-woman test audience. Her job is simple: sit in his study, listen to him read the play aloud, and react honestly. No pretending. If she laughs, he knows he's got a hit. If she doesn't... well, that's where the comedy really begins. We watch as his confidence crumbles line by line, based entirely on her silent, and then not-so-silent, reactions.

Why You Should Read It

What I loved is how this simple scene says so much. It’s not just about theater; it’s about that universal fear of putting your work out there. Veber captures the playwright's fragile ego perfectly—one minute he’s a genius, the next he’s ready to burn the manuscript. The 'essayeuse' herself is fantastic. She starts as a quiet employee but slowly gains power as she holds the fate of his play in her hands. It’s a funny and subtle look at class, gender, and who really gets to judge art.

Final Verdict

This is perfect for anyone who enjoys clever, character-driven comedy. It’s a great pick for theater lovers, of course, but also for anyone who’s ever created something and dreaded the feedback. It’s a short, satisfying read that proves a good premise and sharp dialogue never go out of style. Think of it as a historical episode of a really smart sitcom—you’ll breeze through it with a smile.



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